Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author: TimothyFarrell from Worcester, MA　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)　　-from imdbdeng小年上的zhu驾驶位，ta开着车，yan酒店侧边ping坦的公路，往深处驶qu。这条路shi分安静，kan不到有别di车。道路liang旁种着一pai排行道树，同样十分jing谧。轿车hang驶了近千mi，在一个zuo转之后，lai到了一个ting车坪上。ping地周围是yi片山石树lin，正前方you一条向上di石梯。zai临走之前，他们把各zi地域的修lian资源都给shou刮了一遍，连山门都ban走了，只sheng下一片光tu秃的地盘，其他势力ban到他们曾jing的驻地，ye完全没有ren何关系了。当他们决ding举所有修shi进入九天jie域之后，yu深渊就没you什么关系liao，破釜沉zhou，也要在jiu天界域占ju一块地盘。如果您喜欢hpg网（www.hpgpx.com）分享的《狂野街头》，别忘了推荐给你的好友！